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Ableton Live Level 1: Shake Hands with Live.

You can choose from several Digital Audio Workstations including Ableton Live, Logic Pro, or Propellerhead’s Reason.Īfter completing this program, you will leave with 4 completed tracks (EP), a remix entered in an active contest, a scored commercial to widen your scope, and the Dubspot Producer’s Certificate in Ableton Live. Our music production program is custom-tailored to fit your musical style. At the end of the day, it is the sum total of your choices as an artist that define your sound, and levels 2 – 6 will give you the experience of actually completing tracks to add to your portfolio. You will be exposed to a variety of approaches to arrangement and composition, storytelling techniques, ways of creating tension and drama in your music.

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After a level of getting familiar with the tools that Ableton has to offer, you will then develop your sonic ideas into full length songs – one per level. You will also learn the ins and outs of this powerful software through a series of exercises designed to help you master the steps involved in producing your own music. This program is about learning Ableton Live by going through the entire process of being an artist, by developing your own sound through a series of sketches and experimentation. The students discuss their individual background, how they discovered Dubspot and what they’ve learned from our talented and versatile instructors DJ Kiva, Jon Margulies, and Adam Partridge.

#MAX 4 LIVE GENERATIVE MIDI OTOMATA HOW TO#

In this video, Dubspot students talk about their experiences participating in our 3-month intensive Ableton Live Producer Certificate Program in which students learn how to create, record, produce, and perform music using Ableton Live. Robert Henke/Monolake - Decibel Festival - Ableton - Click here to view the embedded video. He also emphasized the importance of simplicity and minimalism in the production process, while delivering a sobering message about the overuse of compression in electronic music which he calls “evil”. We also visited his Decibel Festival workshop, Sound Spaces and Machines, where he compared music synthesis and physical modeling, and talked about why physical modeling is important in the creation of expressive music. In our interview the co-creator of Live gave a brief overview of how the program was conceived and discussed the importance of the more recent development of Max For Live, which allows users to program in Cycling 74’s Max directly inside Ableton. In September of 2012 Dubspot visited Seattle’s famous Decibel Festival, where we caught up with electronic music pioneer Robert Henke (better known as Monolake, co-developer of Ableton Live) to discuss the past, present and future of Ableton, sound synthesis, music composition, and more.

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